the event that you presented, including the nineteenth and twentieth century, the new bright industrial landscape of the city, some artists, most sensitive to change, violently broke with the past, giving the new landscape of the dignity of the subject. The great crisis generated by the development of photographic reproduction, he discovered the art art, not in its pseudo-true essence of historical documents, but rather a means of expression staff artist. The rules of Classical artistic composition jump, and the composition becomes more focused on a critical new way of looking at the landscape, as seen in its unusual fragmentation, discontinuity, episodic nature, dynamic. If the paintings become more simple (and fast) to be realized (born, '"en plein air"), they are loaded instead more complex meanings, carried out the sensitivity of the artist; if reality is the starting point, artists will apply a 'convention', creating the artwork . The solitary figure of Cezanne taking a leading role for his colleagues, encouraging the outside of his personality "forgetting everything that has gone before." The need to distance themselves from the past, soon led him on the road-garde, looking for a new way, consistent with the revolution, to recreate the volume, in a constitutional formality. The new look of the painters look the reality is no longer looking for a mimesis, but of elements, parts, atoms, identified by a strong critical and analytical process, which reduced to basics every episodic, and thus depriving it of prominence in a hierarchy. The reality of the Impressionists is a reality that must be penetrated (not shown) to become a new nature, almost metaphysical. The "feelings" of painters became the driving force of the works, and Cezanne-like notes Alfonso Gatto- "has the extreme form of his shapeless" . As the Prof. Wise in class, "the birth of a new look first of all puts a strain on the viewer" and it is no coincidence that there are those who, in 1903, claimed that support this kind of art, support these "mad painter" admitting that the artist Cezanne, "that remains is to set fire to the Louvre, where also acknowledged the French painter " the place where learn to read. " Paul Cezanne can includes the mystical force that explodes from the things and mut , trunks and rocks, which are able to preserve the purity of feeling. The architecture of a Cezanne would probably be a 'primitive architecture, built stone by stone, without a preconceived plan and without refinements, and property in an image without joints, which fights the "circumscribe the contours with a sudden nero "error for the painter himself and deny through nature. Simplicity and abstraction of the design are a way of controlling the complexity, if the reality is understood as a whole complex, the abstract composition, and to issue permits to dry new meanings.
The process of abstraction involves the loss of validity from the usual types and family, to whom history has accustomed lazily. The arrival irrepressible science, involves the abstraction: indeed, it was established formally in a world deductive that answers the question What If ..., playing on minimizing the number of instructions to be executed to resolve the issue. The concept model, which, as Einstein says is "selective abstraction of reality," includes within it the process of simplification elemeti than strictly necessary to represent vividly the reality. All the sciences (I use the plural!) We have today, with this in simplification, recognizing the universal in the study of reality unduly complex can be studied and understood . While generally the model departs from reality in architecture today has an opposite effect: the virtual image through IT can become the subject almost without intermediaries (architectural) practice, direct drive. Besides formal abstraction, today we have here, as we reported in the Japanese study SANAA presence of a 'viewing experience abstract', use of digital, only a few characters structuring linguistic transparency, yet immaterial, light and flow management.
The thoughts presented here were developed from the lecture of Professor Wise's March 18 . Play part A >> part B >>
Image: reflection on the glasses of Dior Building, Omotesando, Tokyo by SANAA
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